Nieuwe Media Jaarcursus
Plan van aanpak ~ Een voorbeeld
Marije Engelsman is kunstenaar en fotografe en heeft een animatie in Photoshop gemaakt van foto's.
Andreas Mehringer is componist en wilde tijdens de jaarcursus Nieuwe Media bij zijn muziek abstracte beelden 'componeren'.
Lees zijn Plan van aanpak (.pdf)
In 2009 was de premiëre van Farbenlehere, een muziekstuk met animatie.
Een ander project van hem is Iets met F (2008)
Brainstorm
Al in
de jaren twintig en dertig waren er fimische experimenten om muziek in (abstracte) beelden te vertalen.
Viking Eggeling, Olga Neuwirth: Symphonie Diagonale 1924.
Made in 1924 by Viking Eggeling, "Symphonie Diagonale" is the best abstract film yet conceived. It is an experiment to discover the basic principles of the organization of time intervals in the film medium. This version was restored by Gösta Werner in 1994 in collaboration with The Swedish Filminstitute. Music by Olga Neuwirth, 2006.
Ballet mecanique (1924) Fernand Leger - Part 1
Ballet mécanique is a 1924 experimental film directed by Fernand Léger and Dudley Murphy with cinematography by Man Ray, music by George Antheil, and starring Alice Prin. The film was premiered by Frederick Kiesler in Vienna on 24 September 1924, and runs approximately 16 minutes. The original version of Antheil's music ran almost 30 minutes, and a married print of film and music was not made until 2000 by sound engineer and composer Paul Lehrman. [Fernand Léger, The Bargeman, 1918, Oil on canvas
(French, 1881–1955)]
Oskar Fischinger Komposition in blau, 1935
Surfaces dominate in the abstract animated film «Komposition in Blau/ Lichtkonzert Nr.1» (Composition in Blue / Light Concert No. 1). Colorful geometric figures are set in rhythmic motion. The music from Nicolai’s «The Merry Women of Windsor» is impressively visualized through a blending of form and color. Fischinger created wooden cubes and cylinders as three-dimensional animated models, approximately as tall as a cigarette, some of them painted and others covered with fabric. «At first the set seems to reveal a room. But then the floor begins to reflect the geometric figures. Cubes perfectly-aligned in a row, forming a flat mosaic-like surface, tumble apart to form a stairway. In this perpetually changing universe, a cylinder pounds at the floor and sets off a series of waves, and a decorative, flat circle flies into the empty space. The beauty of the colored, geometric forms—a yellow rectangle descends gracefully into the frame—escalates to the frenzied magic of the impossible.»
(Source: William Moritz: «Oskar Fischinger», in: Deutsches Filmmuseum Frankfurt am Main, Optische Poesie. Oskar Fischinger Leben und Werk, Kinematograph Nr. 9, 1993, p. 42)
Mary Ellen Bute - Synchromy No2 (1936)
Synchronization (1934) collaboration with Joseph Schillinger and Lewis Jacobs [paper or cel animation; lost? incomplete?] Synchromy No. 2, synchronized to the "Evening Star" aria from Wagner's Tannhäuser, uses a statue of Venus to represent the star.
Mary Ellen Bute (November 21, 1906 – October 17, 1983) was a pioneer film animator who did much of her work in visual music. She was one of the first female experimental filmmakers in the U.S. From 1934 until 1953, she made 14 short, musical abstract films, working in New York. Many of these were seen in regular U.S. movie theaters, such as Radio City Music Hall, often before a prestigious film. Several of her films were also called "Seeing Sound" films.
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